Skip to main content

Corrections to Diss Excerpt #9

As one does, I reviewed my fieldnotes and interviews. As it happens, I wrote some errors or inaccuracies into the re-telling of Baun Bango's settlement history. As one does, I had to revise, which doesn't necessarily mean the new paragraph is free of errors and more accurate. It's merely made more honest about the inaccuracies and omissions through accompanying notes. Some day, when I have the time, I'd love to write about my experiences of the fine line between accuracy and inaccuracy in qualitative research... When I have the time -- wishful thinking! Here's the revised paragraph and some notes that show the existence of many versions of one story, and suggest the complications of trying to put forward only one version (which in the end, may even be the wrong version! Ah, anthropology), which further suggests that one should always question seamless accounts of culture as a unified and unifying whole. But I digress. Below, the paragraph containing corrections.

Over time, many new settlements sprouted up along the Katingan River. Baun Bango was first settled by the family of Miring, a man from the Kapuas River. Miring spent his youth traveling from village to village, stopping in places where he could find work. He married and had children with Sarin, a woman from one of the upriver villages of Katingan. Even after his marriage he continued to travel in search of work. One day, he stopped in a village where he was invited to a feast. People were drinking, dancing, and singing for two days non-stop. By the second day, Miring was so drunk that he slept without getting up from where he was seated. During this time a child was beheaded in the swidden fields surrounding the village. The parents accused Miring of taking their child’s head to use in a tiwah (the secondary mortuary rite and by far one of the most important rituals of the Ngaju). They asked for his head to replace the life of their child. In fact, the beheading was done by a hantuen, a witch, and Miring was falsely accused most likely through the machinations of the guilty hantuen. Miring was given the option to pay a fine, singer, to the couple but he did not have enough money. He inscribed on a bamboo tube a message asking for help and sent it to Mahar, a wealthy relative in Tumbang Ronen.


Notes (which appear as footnotes in the diss):
1. The accounts contradicted each other over the actual village of Miring’s origins. Some contended that he came from Hadohop, a village close to the coast. Others were certain that Miring came from a distant, upriver village. However, they were all in agreement about his being an olo Kapuas, or person of the Kapuas river.
2. Although the false accusation levelled at Miring and suspicions of the dirty work of a hantuen were common elements in the accounts I heard, the details of the murder itself varied in each. Such variations are not unusual in oral histories.

Comments

Popular posts from this blog

This will probably be the only Tagalog post on this blog ever

So this is what my writing looks like in Tagalog... A synopsis written with high school teachers in mind, translated from English by Karlo Altomonte, for a play directed by Karlo Altomonte, staged by Open Space Productions. A play by Paul Dumol featuring Ferdie Balanag, Jojo Lamaria, Mel Sabado, Roman OrdoƱa, Joenas Galinato, Syrel Amazona, Ana Degollacion, Eunice Caburao, Candice Degollacion, Wow Pidlaoan, Joel Genove, Shunjen, Jun Balitan, Rhoda FIangrayan, Jaja Lamaria, Charlene David, Hanna Camiring. The play premiers on August 23, at 6:30pm, in the Bulwagang Juan Luna, U.P. Baguio. ANG PAGLILITIS NI MANG SERAPIO Isang dula ni Paul Dumol Sino si Serapio? Bakit siya nililitis? Ano'ng paki-alam natin? Sa unang limang minuto pa lang ng paglilitis ay tatambad na sa atin ang krimen ni Mang Serapio. Ang pagkakasala niya ay pag-aaruga ng bata. Oo, ang pag-aaruga ng bata ay isang krimen. Unti-unting magkakaroon ng liwanag ang akusasyong ito sa pag-usad ng kwento. Si Serapio ay is...

Good mother, good academic?

I wrote this four years ago. The struggle remains the same, so yes, publish. And god, I so want to be over this dilemma. 2016. Yesterday I was proofreading my manuscript at home when the Little Big Boss came over crying. I had to put my pen down and console her. She didn't want to leave my lap so we compromised. We put her play doh on the table and I tried to work while she played. It went smoothly -- for about five minutes! Haha! The Artist in Residence is familiar with this scene. Starting when she was eight years old, she had to come along with me to academic conferences. She'd stay in her chair reading, or drawing and writing in her notebooks. People praised her and commented on how she was remarkably well-behaved. I had no idea just how remarkable her ability to sit still and focus was, until the Little Big Boss came along. With this one, sitting together quietly for a stretch of time is a much bigger challenge. The things that kept the Artist content at conference...

Lola of Maipon

It's all too easy to fall asleep under the blanket of everyday life and to smother dreams with the mundane things I surround myself with. But once in a while, along comes a sparkling vision that jolts me out of my daily sleep and reminds me of the existence of convictions and worlds so different from my own. "Our beloved LOLA of Guinubatan, Maipon, Albay is the last true messenger of God. So, let us follow her holy teachings so that we will gain TRUE SALVATION without sufferings and without death." In another story I, the intrepid heroine, the adventurer seduced by mysteries, the pilgrim in search of truth, would follow them back to Guinubatan from Session Road, thirsting to see and hear their Lola for myself. However, it's all too easy -- much safer! -- to fall back asleep under the blanket of everyday life, and to smother dreams with the mundane things I surround myself with. Then along comes 9 a.m., and really, it's time to down the dregs of coffee at the bott...