Book-tasting, Day 1: I have words to spend

"I have words to spend and sometimes spend them foolishly, of course, squandering verbs and nouns, sending metaphors askew, and using similes like fireworks whose sparks often fail to flame. I also have a weakness for absurd alliterations.

"There are certain words I love and use over and over again, words like marvelous and stunning and wonder. I've written before about the ember words -- there's such beauty in words like September and remember. And then there's cellophane. Cellophane, said slowly."

From Cormier, Robert (1991) I Have Words to Spend: Reflections of a small-town editor. New York: Bantam Doubleday books for Young Readers.

And so begins my very own dabbling, hodgepodge home-schooling program: book-tasting. Picking a paragraph or two from one book a day, one shelf-box at a time. A way for me to get to know better the library I was born to, the library I grew up in, and the library we feed.

Comments

Good mother, good academic?

I wrote this four years ago. The struggle remains the same, so yes, publish. And god, I so want to be over this dilemma. 2016. Yesterday I was proofreading my manuscript at home when the Little Big Boss came over crying. I had to put my pen down and console her. She didn't want to leave my lap so we compromised. We put her play doh on the table and I tried to work while she played. It went smoothly -- for about five minutes! Haha! The Artist in Residence is familiar with this scene. Starting when she was eight years old, she had to come along with me to academic conferences. She'd stay in her chair reading, or drawing and writing in her notebooks. People praised her and commented on how she was remarkably well-behaved. I had no idea just how remarkable her ability to sit still and focus was, until the Little Big Boss came along. With this one, sitting together quietly for a stretch of time is a much bigger challenge. The things that kept the Artist content at conference...

Lola of Maipon

It's all too easy to fall asleep under the blanket of everyday life and to smother dreams with the mundane things I surround myself with. But once in a while, along comes a sparkling vision that jolts me out of my daily sleep and reminds me of the existence of convictions and worlds so different from my own. "Our beloved LOLA of Guinubatan, Maipon, Albay is the last true messenger of God. So, let us follow her holy teachings so that we will gain TRUE SALVATION without sufferings and without death." In another story I, the intrepid heroine, the adventurer seduced by mysteries, the pilgrim in search of truth, would follow them back to Guinubatan from Session Road, thirsting to see and hear their Lola for myself. However, it's all too easy -- much safer! -- to fall back asleep under the blanket of everyday life, and to smother dreams with the mundane things I surround myself with. Then along comes 9 a.m., and really, it's time to down the dregs of coffee at the bott...

Ritual for all Occasions

Attended a talk delivered by Dr. Albert Bacdayan, UP Baguio. Feb. 20, 2013. "Ritual for All Occasions: The significance and persistence of the 'Senga' in Northern Sagada." The senga is a ritual in which at least one chicken and one pig -- sometimes more -- are sacrificed. The senga is usually performed for milestones such as the completion of a house, the opening of a new business, a wedding, a funeral, when someone is ill, when someone is leaving on a journey. He spoke of how Cordillerans have a ritual for almost every occasion or ailment. Indeed, the word he used was not ritual but "remedy."Dr. Bacdayan described this as a "healthy agnosticism."He mused that the abundance or such remedies and rituals is the reason there are rarely feelings of helplessness among Cordillerans. He described ritual as a bundle of activities that assures people and anchors identity. When one calls the old men and is the principal of a senga, you are perceived t...

Now/here no/where woman

Search This Blog