A Brief, Writerly Rant Wrought from Years of Accumulated Indignation

One of the perils of freelance writing is that by the time the editors (well-meaning, I'm sure) are done bending your words to their needs, you may no longer recognize what you wrote; you may not even wish to have your name attached to the transmogrified piece of crap (which, admittedly, may not have been so great in the first place), and to make things worse, you get paid peanuts for it.

Sigh. Although I try, cultivating a stance of gratitude -- for getting published, for bylines, for getting paid at all -- sometimes feels disgustingly close to martyrdom, which was never my cup of tea. Let them do what they want with my body and soul? No effing way. And yet, more often than not, I relent. I don't even know whether I can choose otherwise.

This hack is now accepting suggestions for a nom de guerre. This could be fun. And yes, this is war.

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Cordillera Folktales and Story-telling

It was cold and wet outside on the day of the launching of The Golden Arrow of Mt. Makilkilang and other Cordillera Folktales . But inside Mt. Cloud Bookshop we were warmed by stories read and performed by the Aanak di Kabiligan community theater group. Storytelling on a stormy afternoon. Paco Paco. A Benguet story from the book, published by the Cordillera Green Network. Aanak di Kabiligan means children of the mountains. The theater group was born out of the Cordillera Green Network's eleven years of conducting workshops in which children transform their grandparents' stories into theater productions. Here they perform the title story of the Golden Arrow of Mt. Makilkilang and Other Cordillera Folktales.

Lola of Maipon

It's all too easy to fall asleep under the blanket of everyday life and to smother dreams with the mundane things I surround myself with. But once in a while, along comes a sparkling vision that jolts me out of my daily sleep and reminds me of the existence of convictions and worlds so different from my own. "Our beloved LOLA of Guinubatan, Maipon, Albay is the last true messenger of God. So, let us follow her holy teachings so that we will gain TRUE SALVATION without sufferings and without death." In another story I, the intrepid heroine, the adventurer seduced by mysteries, the pilgrim in search of truth, would follow them back to Guinubatan from Session Road, thirsting to see and hear their Lola for myself. However, it's all too easy -- much safer! -- to fall back asleep under the blanket of everyday life, and to smother dreams with the mundane things I surround myself with. Then along comes 9 a.m., and really, it's time to down the dregs of coffee at the bott

Ritual for all Occasions

Attended a talk delivered by Dr. Albert Bacdayan, UP Baguio. Feb. 20, 2013. "Ritual for All Occasions: The significance and persistence of the 'Senga' in Northern Sagada." The senga is a ritual in which at least one chicken and one pig -- sometimes more -- are sacrificed. The senga is usually performed for milestones such as the completion of a house, the opening of a new business, a wedding, a funeral, when someone is ill, when someone is leaving on a journey. He spoke of how Cordillerans have a ritual for almost every occasion or ailment. Indeed, the word he used was not ritual but "remedy."Dr. Bacdayan described this as a "healthy agnosticism."He mused that the abundance or such remedies and rituals is the reason there are rarely feelings of helplessness among Cordillerans. He described ritual as a bundle of activities that assures people and anchors identity. When one calls the old men and is the principal of a senga, you are perceived t

Now/here no/where woman

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